Person
annette.hillkom.luse |
2021-03-10
Professor
- Medie- och kommunikationsvetenskap
- Institutionen för kommunikation och medier
Kontaktinformation
E-post annette.hillkom.luse
Telefon 046–222 88 80
Mobil 076–790 41 37
Rum SOL:A212
Besöksadress
Helgonabacken 12, Lund
Postadress
Box 117, 221 00 Lund
Internpost hämtställe 20
Annette Hill is Professor and Chair of Media and Communication at Lund University, Sweden, and Visiting Professor at King's College London, UK. Her research focuses on media audiences, with interests in media engagement, everyday life, genres, production studies and cultures of viewing. She is the author of nine books, and many articles and book chapters in journals and edited collections.
She is programme leader for the Msc in Media and Communication, an international postgraduate programme that attracts over 600 applications per year for around 30 places. She teaches on Media Audiences, Popular Culture, and methods, as well as running the postgraduate thesis course and supervising postgraduate and PhD students.
Forskning
Min profil i Lunds universitets forskningsportal
Böcker (9 st)
- Hill, A. & Dahlgren, P. (2022). Media Engagement. Routledge.
- Hill, A. (2019). Esperienze Mediali : Dalle serie TV al Reality. Minimum Fax.
- Hill, A. (2018). Media Experiences : Engaging with Drama and Reality Television. Routledge.
- Hill, A. (2015). Reality TV. Key Ideas. Routledge.
- Hill, A. (2011). Paranormal Media. Routledge.
- Hill, A. (2007). Restyling Factual TV. Routledge.
- Hill, A. (2005). Reality TV. Routledge.
- Hill, A. & Gauntlett, D. (1999). TV Living. Routledge.
- Hill, A. (1997). Shocking Entertainment. John Libbey Publishing.
Redaktörskap (3 st)
- Hill, A., Andersson, M. & Hartmann, M. (2021). (Red.) The Routledge Handbook of Mobile Socialities. Routledge.
- Allen, R. & Hill, A. (2003). (Red.) The Television Studies Reader. Routledge.
- Hill, A. & Allen, R. C. (2003). (Red.) The Television Studies Reader. Routledge.
Artiklar (22 st)
- Hill, A. & Lee, J. C. (2022). Roamers : audiences on the move across entertainment platforms in Southeast Asia. Javnost, 29, 98-114. European Inst Communication Culture.
- Mathijs, E. & Hill, A. (2022). Fugitive cult receptions of conspiracy thriller Utopia. Participations, 18, 318-334.
- Hermes, J. & Hill, A. (2021). Transgression in Contemporary Media Culture. International Journal of Cultural Studies, 24, 3-14. SAGE Publications.
- Hill, A. (2021). Documentary Imaginary : Production and audience research of The Act of Killing and The Look of Silence. European Journal of Cultural Studies, 24, 801-815. SAGE Publications.
- Hill, A. (2021). Who Killed Utopia? : Cult Conspiracy Drama and a Television Imaginary. International Journal of Cultural Studies, 24, 56-71. SAGE Publications.
- Hill, A., Mortensen, M. & Hermes, J. (2021). Fear : Introduction to Special Issue. European Journal of Cultural Studies, 24, 793-800. SAGE Publications.
- Hermes, J. & Hill, A. (2020). Television’s undoing of social distancing. European Journal of Cultural Studies, 23, 655-661. SAGE Publications.
- Hill, A. & Dahlgren, P. (2020). Parameters of Media Engagement. Media Theory, 4.
- Hill, A., Askanius, T. & Kondo, K. (2019). Live Reality Television : Care structures within the production and reception of talent shows. Critical Studies in Television, 14, 7-21. SAGE Publications.
- Hill, A., Askanius, T., Kondo, K. & Urueta, J. L. (2019). Provocative Engagement: documentary audiences and performances in The Act of Killing and the Look of Silence. International Journal of Cultural Studies, 22, 662-677. SAGE Publications.
- Hill, A. (2017). Reality TV Engagement: Producer and Audience Relations for Reality Talent Shows. Media Industries, 4, 1-17. Michigan State University Press.
- Hill, A. & Steemers, J. (2017). Special Section: Media Industries and Engagement: Introduction. Media Industries, 4, 1-5. Michigan State University Press.
- Hill, A., Steemers, J., Roscoe, J., Donovan, J. & Wood, D. (2017). Media Industries and Engagement: A Dialogue across Industry and Academia. Media Industries, 4, 1-12. Michigan State University Press.
- Hill, A. (2016). Push-Pull Dynamics : Producer and Audience Practices for Television Drama Format the Bridge. Television and New Media, 17, 754-768. SAGE Publications.
- Hill, A. (2015). Spectacle of excess : The passion work of professional wrestlers, fans and anti-fans. European Journal of Cultural Studies, 18, 174-189. SAGE Publications.
- Hill, A. & Hermes, J. (2015). Passion : Introduction to Special Issue. European Journal of Cultural Studies, 19, 207-208. SAGE Publications.
- Hill, A. (2013). Introduction to Civic Cultures. Television & New Media, 14, 3-4. SAGE Publications.
- Hill, A. & Corner, J. (2007). Value, Form and Viewing in Current Affairs Television : Tonight with Trevor McDonald. Journal of British Cinema and Television, 3, 34-46. Edinburgh University Press.
- Hill, A., Nilsson, Å. & Weibull, L. (2007). Public and Popular : British and Swedish Audience Trends in Factual and Reality Television. Cultural Trends, 16, 17-41. Routledge.
- Hill, A. (2002). Big Brother : the Real Audience. Television & New Media, 3, 323-340. SAGE Publications.
- Hill, A. (2001). Media Risks : the Social Amplification of Risk and the Media Violence Debate. Journal of Risk Research, 4, 209-225. Routledge.
- Hill, A. (2000). Fearful and Safe : Audience Response to British Reality Programming. Television & New Media, 1, 193-213. SAGE Publications.
Bokkapitel (40 st)
- Hill, A. (2022). The Act of Watching Documentary. I Keeble, R. L. (Red.) It's the Media, Stupid! : Essays in Honour of Brian Winston (pp. 65-76). Abramis.
- Hill, A. & Kondo, K. (2022). Entertainment Mobilisation : Nordic Noir Fans and Screen Tourism. I Trandafoiu, R. (Red.) Routledge Studies in Development, Mobilities and Migration, Border Crossings and Mobilities on Screen (pp. 173-184). Routledge.
- Hill, A. (2021). Media Industries and Audiences : an Analytic Dialogue. I McDonald, P. (Red.) Routledge Media and Cultural Studies Companions, The Routledge Companion to Media Industries (pp. 508-517). Routledge.
- Hill, A. (2021). Transported Immobility. I Hill, A., Andersson, M. & Hartmann, M. (Red.) The Routledge Handbook of Mobile Socialities (pp. 290-301). Routledge.
- Hill, A. (2020). Audiences Assemble : becoming an audience and produser in mixed media environments. I Lind, R. (Red.) Produsing Theory in a Digital World 3.0 : The intersection of audiences and production in contemporary theory Vol 3. Peter Lang Publishing Group.
- Hill, A. (2020). Breakneck Brexit : Engaging with political storytelling in live professiona wrestling. I Mazer, S., Levi, H., Laine, E. & Haynes, N. (Red.) Breakneck Brexit : Engaging with Political Storytelling in Live Professional Wrestling. Seagull Books.
- Hill, A. (2020). Media Industries and Audience Research : an analytic dialogue on the value of engagement. I Bruhn Jensen, K. (Red.) A Handbook of Media and Communication Research : Qualitative and Quantitative Methodologies. Routledge.
- Hill, A. (2020). Reality TV : Performances and Audiences. I Wasko, J. & Meehan, E. (Red.) A Companion to Television : 2nd edition (pp. 201-220). Wiley-Blackwell.
- Hill, A. & Konto, K. (2020). Participation in Reality Television : Enterainment Mobilisation in Dance Talent Shows. I Polson, E., Schofield Clark, L. & Gajjala, R. (Red.) The Routledge Companion to Media and Class (pp. 51-62). Routledge.
- Hill, A. (2019). Engaging with Reality Television. I Shimpach, S. (Red.) Routledge Companion to Global Television. Routledge.
- Hill, A. (2019). Wrestlers, Fans and Power Dynamics at Live Events. I Reinhard, C. D. & Olson, C. J. (Red.) The Cultural Politics of Media and Popular Culture, Convergent Wrestling : Participatory culture, transmedia storytelling, and the intertextuality in the squared circle (pp. 15-30). Routledge.
- Hill, A. (2018). ‘Paranormal Reality Television: Audience Engagement with Mediums and Spirit Communication’. I Einstein, M., Madden, K. & Winston, D. (Red.) Religion and Reality TV: Faith in Late Capitalism (pp. 121-136). Routledge.
- Hill, A. (2018). Media Audiences and Reception Studies. I Di Giovanni, E. & Gambier, Y. (Red.) Reception Studies and Audiovisual Translation (pp. 3-20). John Benjamins Publishing Company.
- Hill, A. (2018). Saga’s Story : Emotional Engagement in the Production and Reception of The Bridge. I Toft Hansen, K., Peacock, S. & Turnbull, S. (Red.) European Television Crime Drama and Beyond (pp. 269-284). Palgrave Macmillan.
- Hill, A. (2017). Reality TV Crime Programs. I Pontell, H. (Red.) Oxford Research Encylopedia of Criminology : Crime, Media and Popular Culture. Oxford University Press.
- Hill, A. & Turnbull, S. (2017). Nordic Noir. I Pontell, H. N. (Red.) Oxford Research Encyclopedia of Criminology and Criminal Justice (pp. 1-21). Oxford University Press.
- Hill, A. (2016). Sense of Place : Producers and Audiences of International Drama Format The Bridge. I Aveyard, K., Majbritt Jensen, P. & Moran, A. (Red.) New Patterns in Global Television Formats (pp. 281-294). Intellect Ltd..
- Hill, A. (2015). Audience Experiences and Emotional Economy. I Ferrell Lowe, G. & Brown, C. (Red.) Managing Media Firms and Industries : What's so special about media management? (pp. 277-292). Springer.
- Hill, A. (2015). Studying Reality TV. I Creeber, G., Miller, T. & Tulloch, J. (Red.) The Television Genre Book. Palgrave Macmillan.
- Hill, A. (2014). Paranormal Cultural Practices. I Jenzen, O. & Munt, S. (Red.) The Ashgate Research Companion to Paranormal Cultures (pp. 65-78). Ashgate.
- Hill, A. (2014). Reality TV Experiences: Audiences, Fact, and Fiction. I Ouellette, L. (Red.) A Companion to Reality Television (pp. 116-133). Wiley-Blackwell.
- Hill, A. (2013). Ambiguous Audiences. I Winston, B. (Red.) The Documentary Film Book. British Film Institute Publishing.
- Hill, A. (2012). Audiences in the Round: Multi-method research in factual and reality television. I Jensen, K. B. (Red.) The Handbook of Media and Communication Research (pp. 302-317). Routledge.
- Hill, A. (2011). Big Formats, Small Nations. Does Size Matter?. I Ferrell Lowe, G. & Nissen, C. (Red.) Small Among Giants: Television Broadcasting in Smaller Countries (pp. 203-218). Nordicom.
- Hill, A. (2011). The Audience is the Show. I Nightingale, V. (Red.) The Handbook of Media Audiences (pp. 472-488). Wiley-Blackwell.
- Hill, A. (2008). Documentary Modes of Engagement. I Austen, T. & De Jong, W. (Red.) Rethinking Documentary : New Perspectives, New Practices (pp. 217-231). Open University Press.
- Hill, A. & Calcutt, I. (2007). Vampire Hunters : the Scheduling and Reception of Buffy the Vampire Slayer and Angel in the United Kingdom. I Levine, E. & Parks, L. (Red.) Undead TV : Essays on Buffy the Vampire Slayer (pp. 43-56). Duke University Press.
- Hill, A. & Dover, C. (2007). Mapping Genres : Broadcaster and Audience Perceptions of Makeover Television. I Heller, D. A. (Red.) Reading Contemporary Television, Makeover Television : Realities Remodelled (pp. 23-38). I.B. Tauris.
- Hill, A. (2006). The Social Amplification of Risk and the Media Violence Debate. I Weaver, C. K. & Carter, C. (Red.) Issues in cultural and media studies, Critical Readings : Violence and the Media (pp. 83-94). Open University Press.
- Hill, A. (2005). 24 Reality TV : Performance, Authenticity, and Television Audiences. I Wasko, J. (Red.) Blackwell companions in cultural studies, A Companion to Television (pp. 449-467). Wiley-Blackwell.
- Hill, A. (2005). The Idea of Learning : Young Viewers of Reality TV in the U.K. I von Feilitzen, C. (Red.) Yearbook/The International Clearinghouse on Children, Youth and Media, Young People, Soap Operas and Reality TV : Yearbook 2004 (pp. 181-188), 2004. Nordicom.
- Hill, A. (2004). Watching Big Brother UK. I Mathjis, E. & Jones, J. (Red.) Big Brother International : Formats, Critics and Publics (pp. 25-39). Wallflower Press.
- Hill, A. (2002). Television Audiences and Everyday Life. I Miller, T. (Red.) Television Studies (pp. 135-149). British Film Institute Publishing.
- Hill, A. (2001). Looks Like it Hurts : Women’s Responses to Shocking Entertainment. I Barker, M. & Petley, J. (Red.) Communication and Society, Ill Effects : the Media/Violence Debate (pp. 135-149). Routledge.
- Hill, A. (2000). A Social Drama : Anti-Violence Campaign Groups and Media Violence. I Berry, D. (Red.) Ethics and Media Culture : Practices and Representations (pp. 248-260). Butterworth-Heinemann.
- Hill, A. (2000). Crime and Crisis : British Reality TV in Action. I Buscombe, E. (Red.) Oxford Television Studies, British Television : a Reader (pp. 218-234). Oxford University Press.
- Hill, A. (2000). Fearful and Safe : Viewer Response to British Popular Factual Entertainment. I Izod, J., Kilborn, R. & Hibberd, M. (Red.) From Grierson to the Docu-Soap : Breaking the Boundaries (pp. 131-144). University of Luton Press.
- Hill, A. (2000). Research Report on the BFI Audience Tracking Study. I Ralph, S., Lees, T. & Langham Brown, J. (Red.) Current debates in broadcasting, Youth and the Global Media : Papers from the 29th University of Manchester Broadcasting Symposium, 1998 (pp. 35-40), 8. University of Luton Press.
- Hill, A. & Thomson, K. (2000). Sex and the Media : a Shifting Landscape. I Jowell, R., Curtice, J., Thomson, K., Jarvis, L., Bromley, C. & Stratford, N. (Red.) British Social Attitudes, British Social Attitudes : The 17th Report. Focusing on Diversity (pp. 71-99). SAGE Publications.
- Hill, A. (1999). Risky Business : Film Violence as an Interactive Phenomenon. I Stokes, M. & Maltby, R. (Red.) Identifiying Hollywood’s Audiences : Cultural Identity and the Movies (pp. 175-186).
Förord (1 st)
Konferensbidrag (1 st)
Rapporter (2 st)
- Hill, A. (2007). Reality TV : Perceptions by European Viewers of a New Genre of Television Programmes. The European Alliance of Listeners and Viewers Associations (EURALVA).
- Hill, A., Weibull, L. & Nilsson, Å. (2005). Synen på icke-fiktion i TV: resultatredovising. Arbetsrapport / Institutionen för journalistik och masskommunikation, Göteborgs universitet. Göteborgs universitet.
Recensioner (1 st)
Handledning vid Lunds universitet (2 st)
- Habibi, Z. (2020). Creative voices of the city : Articulating media, space and cultural identities by creative collectives in Southeast Asia. Lund Studies in Media and Communication. Lund University. Doktorsavhandling.
- Doona, J. (2016). Political comedy engagement : Genre work, political identity and cultural citizenship. Lund University. Doktorsavhandling.
Undervisning
Professor
- Medie- och kommunikationsvetenskap
- Institutionen för kommunikation och medier
Kontaktinformation
E-post annette.hillkom.luse
Telefon 046–222 88 80
Mobil 076–790 41 37
Rum SOL:A212
Besöksadress
Helgonabacken 12, Lund
Postadress
Box 117, 221 00 Lund
Internpost hämtställe 20